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While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations.
Although dated, this film shows some iconic examples of Installation Art made in the 1990s and earlier.
Installation Art in the New Millennium by Nicolas De Oliveira; Nicola Oxley; Michael Petry
Call Number: Art Library, N6494.I56 D47 2003
ISBN: 0500238081
Although dated, this is a useful guide to navigating and understanding developments in the late 20th c. Arranged in themed sections with a chronology, the book offers a vast visual source of works from all over the world.
High quality images of the fine arts (painting, sculpture, printmaking, and drawing), photography, architecture and new media including Film, Audio, Video, Performance Art and Digital Art