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String Pedagogy Techniques: Right Hand

III-1: Dynamics

III-1: Dynamics

The distinctive change of bow contact point is demonstrated in this dynamic example between loud and soft. Close-ups of each instruments’ bow are included.

III-2: Legato/staccato

III-2: Legato/staccato

The finger flexibility in bow changes and the variety of bow strokes are shown with legato and staccato in string crossings

III-3: Slur

III-3: Slur

A simple demonstration of slurring on one string.

III-4: Slurred string crossings

III-4: Slurred string crossings

This example is performed with open strings in a stopped manner to prepare the smooth slurred crossings. Notice the action in the wrist and fingers and not as much action in the right elbow.

III-5: Hooked bow stroke

III-5: Hooked bow stroke

This demonstration is on an open string with a variety of rhythms in the hooked or linked bow stroke.

III-6: Bow strokes in 6/8 time signature

III-6: Bow strokes in 6/8 time signature

This meter often presents challenges for players with the compound triple pulse. This example shows the flowing quality needed to be effective in this meter.

III-7: Martele and Spiccato

III-7: Martele and Spiccato

These bow strokes require a strong sense of bow contact with the string; first with the index finger in the martele stroke and then in a balanced bow hand for the resilient spiccato. Spiccato is a controlled bounce of the bow allowing for the elasticity of the bow hair and stick to release.

III-8: Super Slow Bow

III-8: Super Slow Bow

This is a very simple demonstration of an effective technique to practice for control of the tone.