Installation & Performance Art: Background

While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations.

Although dated, this is a useful guide to navigating and understanding developments in the late 20th c. Arranged in themed sections with a chronology, the book offers a vast visual source of works from all over the world.

Bringing together contributors from dance, theater, visual studies, and art history, this title addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media, and text, all of which offer new critical possibilities. Essays are written by artists, theorists, and historians.

This pioneering book has now been expanded with a new chapter that brings it into the second decade of the twenty-first century, mapping the global rise of performance to the present day. RoseLee Goldberg explores contemporary artists' approaches to politics, tradition, social engagement, and the art world itself, while evaluating the changing status of performance and its ever-increasing relevance to artists and audiences. Featuring recent work by leading performance artists such as Marina Abramovic, Walid Raad, Francis Alys, Pierre Huyghe, Tino Sehgal, and Sharon Hayes, the book covers a century of the medium. This new edition also includes an updated foreword and an expanded reading list.

Distributed Computing is rapidly becoming the principal computing paradigm in diverse areas of computing, communication, and control. Processor clusters, local and wide area networks, and the information highway evolved a new kind of problems which can be solved with distributed algorithms. In this textbook a variety of distributed algorithms are presented independently of particular programming languages or hardware, using the graphically suggestive technique of Petri nets which is both easy to comprehend intuitively and formally rigorous. By means of temporal logic the author provides surprisingly simple yet powerful correctness proofs for the algorithms. The scope of the book ranges from distributed control and synchronization of two sites up to algorithms on any kind of networks. Numerous examples show that description and analysis of distributed algorithms in this framework are intuitive and technically transparent.