Supports composers' artistic and professional growth through a variety of programs and services, including commissions, performances, readings and fellowsh
Provides a scientific basis for the cultural and creative sector and does pioneering research work on the relationship between music body movement and new technologies. Part of the Department of Musicology, University of Ghent.
IRCAM coordinates various scientific points of view on musical phenomena in the fields of physics, sound signal processing, computer science, cognitive psychology, and musicology
An advocacy and funding organization, comprised of the American Music Center and Meet the Composer, formed to support creators, performers, and audiences of new American music by living composers.
SEAMUS is a non-profit national organization of composers, performers, and teachers of electro-acoustic music representing every part of the country and virtually every musical style. Electro-Acoustic music is a term used to describe those musics which are dependent on electronic technology for their creation and/or performance.
An archive, library, and research center founded to collect popular music of all cultures and races from 1950 to the present. Includes timelines, bibliographies, and guides to popular musical instruments worldwide.
The ElectroAcoustic Resource Site (EARS) project has been established to provide resources for those wishing to conduct research in the area of electroacoustic music studies. EARS will take the form of a structured Internet portal supported by extensive bibliographical tools.