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MHST 255: Music of the Romantic Era (Spring 2024)

Assignment 1: Augusta Browne, "The Courier Dove," song (1848)

Students will pick a composer active in the first half of the long nineteenth century (ca. 1780–1848) and write a contextual and analytical description of one of that composer’s compositions. The audience for this contextual and analytical description will be a talented amateur. Consequently, you can assume basic musical and theoretical knowledge, but you must explain any music theory terminology in detail (with citation) that you use in your discussion. In your discussion, you will want to answer the following questions:

  • Where was this piece first performed, and how often during the composer’s life was it performed? In what sorts of venues? The opera house, the concert hall, in a church, at home, or in some other place?
  • How was the piece performed in the composer’s lifetime? As a whole, or in excerpts?
  • How popular or relevant was the piece within the composer’s own lifetime? How did the audience respond to it? How did music critics respond to it?
  • Was the composition published in the composer’s lifetime? If so, how? And by whom?
  • Was the composition a local or international success?

1. Grove Music

  • entry on your composer
  • Works list to determine if the piece is in the complete works
  • Discussion about contemporary musical life in the city where the composition was premiered

2. OBIS and Summon

  • subject to find a biography of your composer
  • author to see if your composer has written anything
  • keyword search to find correspondence (example: Brahms correspondence)

3. Scores and sheet music

4. Scholarly articles

5. Newspapers for contemporary accounts

6. Music citation help

Assignment 2: Adelaide Kemble (1815–1879) and the Kemble family

Using information found in the Musical Festivals Database, students will pick a performer active in the long nineteenth century (ca. 1780–1914) and create an annotated concert program based on that performer’s typical repertoire lasting approximately 45–75 minutes in length (not including intermission). Your planned program is a recreation: you will design the program as if it will be performed at the end of this semester by performers alive today, not during the lifetime of the performer. The performer might be a singer, instrumentalist, or conductor. You may not choose the singers Maria Malibran or Angelica Catalani. Students will use contemporary resources as well as secondary literature to research the life of their performer.

Your program will contain the following elements:

  • The program itself, constructed in the same format as an official Oberlin Conservatory concert program.
  • Texts in the original language and translations into English, properly cited, for all vocal selections
  • A short biographical notice of the performer on whom you’ve chosen to model your program, including an image (which must be cited properly). Your discussion must also include a contemporary assessment of your performer’s technical abilities and artistry.
  • Program-note descriptions of the compositions on your concert, including basic information about them (composer context, premiere date, short synopsis of the work, etc.) as well as when your performer first encountered this work and how frequently he or she performed it.
  • A 150-word or less biography of the concert organizer (you).
  • A bibliography of the sources you used.

1. Grove Music

  • entry on your composer
  • Works list to determine if the piece is in the complete works
  • Discussion about contemporary musical life in the city where the composition was premiered

2. OBIS and Summon

  • subject to find a biography of your composer
  • author to see if your composer has written anything
  • keyword search to find correspondence (example: Brahms correspondence)

3. Scores and sheet music

4. Scholarly articles

5. Newspapers for contemporary accounts

6. Texts and Libretti (if appropriate)

4. Music citation help