“Oberlin emphasizes safety”
by
Bobby Reed
“Wendell Logan’s quiet triumph”
by
Aaron Cohen
“After school specialists”
by
eighth blackbird, ICE, Timothy Weiss, and Frank J. Oteri
“Swing it! And even in a temple of music”
by
Erin Conor, class of 2004
Deep listening at Oberlin
by
Pauline Oliveros (1932–2016)
“Elgar in Oberlin: a meeting of worlds”
by
Steven Plank, Andrew B. Meldrum Professor of Musicology
“Are we there? Women's studies in a professional music program”
by
Claudia Maconald, Emerita Professor of Musicology
The music of Oberlin and some who made it
by
Ernest Barrett Chamberlain (1883–1972), class of 1904
Our first 100 years
by
Willard F. Warch, class of 1931
Oberlin Conservatory: a century of musical growth and influence
by
Richard Dean Skyrm, class of 1941
The Oberlin Conservatory of Music
by
Edward Dickinson (1853–1946)
Conservatory ideal
by
Edward Dickinson (1853–1946)
Touring Great Britain
by
Robert Shackleton and Elizabeth Shackleton
“Romani music collections, the ruptured archive, and epistemic justice in the United States”
by
Ian MacMillen
“Small (but mighty) outreach ideas: four one-shot programs from the Oberlin Conservatory Library”
by
Kathleen Abromeit
“Introduction to opera: researching a role and analyzing an opera scene”
by
Kathleen Abromeit and Victoria Vaughan
“Contemporary viola music: top picks from the Oberlin Conservatory viola studio”
by
Kathleen Abromeit
“Peer instruction in the Oberlin Conservatory Library: three models of engagement”
by
Kathleen Abromeit
“Info lit and the diva: Integrating information literacy into the Oberlin Conservatory of Music Opera Theater department”
by
Kathleen Abromeit and Victoria Vaughan
“New facilities, new potentials: recent developments in American music libraries”
by
Lenore Coral
“Herbert K. Goodkind: The man and his library”
by
Rachel Goodkind
“Mary M. Vial, Con ’02–’06, dies in LaGrange, Illinois”
“Oberlin Conservatory of Music”
by
Catherine A. Keyes
“The working musical library”
by
Edith Dickson (1855–1931)