Della prattica musica vocale et strumentale
by
Scipione Cerreto (1551–c.1633)
Commentatio de musicali instrumento reformato
by
Hans Haiden (1536–1613)
A plaine and easie introduction to practicall musicke
by
Thomas Morley (1557–1603?)
De campanis commentarius
by
Angelo Rocca, OESA (1545–1620)
Syntagma musicum
by
Michael Praetorius (1571–1621)
La sambuca lincea overo dell’istromento musico perfetto, lib[ro] III
by
Fabio Colonna (1567–1650)
Questions harmoniques
by
Marin Mersenne (1588–1648)
Harmonie universelle
by
Marin Mersenne (1588–1648)
Musurgia universalis
by
Athanasius Kircher (1602–1680)
Musicae compendium
by
René Descartes (1596–1650)
The division violist; or, An introduction to the playing upon a ground
by
Christopher Simpson (d. 1669)
A brief introduction to the skill of musick
by
John Playford (1623–1686?)
Elementale mathematicum. VI, Musica
by
Johann Heinrich Alsted (1588–1638)
Chelys, minuritionum artificio exornata
by
Christopher Simpson (d. 1669)
Musick’s monument
by
Thomas Mace (d.1709?)
De tibiis veterum, et earum antiquo usu, libri tres
by
Caspar Bartholin (1655–1738)
Traité de la viole, qui contient une dissertation curieuse sur son origine
by
Jean Rousseau (1644 – approximately 1700)
Instrucción de música sobre la guitarra española
by
Gaspar Sanz (1640–1710)