The instrumental assistant
by
Samuel Holyoke (1762–1820)
L’art du violon
by
Jean-Baptiste Cartier (1765–1841)
Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende
by
Daniel Gottlob Türk (1750–1813)
Nouvelle méthode de basson
by
Étienne Ozi (1754–1813)
A new and complete preceptor for the clarinet
by
George E. Blake (1775–1871)
Méthode simple et facile, par demandes et par réponses, pour apprendre rapidement et sans confusion la musique
by
F. M[arcou] and [Pierre Marcou]
Violinschule, oder, Anweisung die Violin zu spielen
by
Leopold Mozart (1719–1787)
Méthode elementaire pour le violon
by
Jacob-Joseph-Balthasar Martinn (1775–1836)
Metodo pel clavicembalo
by
Francesco Pollini (1762–1846)
The theory and practice of the violin
by
J. Jousse (1760–1837)
La retta maniera di scrivere per il clarinetto ed altri istromenti da fiato
by
Francesco Antolini (1771–1845)
A complete preceptor for the German flute
by
George E. Blake (1775–1871)
A new and complete system of music: or, general instructions for the piano forte, organ, pedal harp & c.
by
Joseph Davis (active 1811–1850)
A new and complete preceptor for the fife
The drummer’s instructor, or, Martial musician
by
J.L. Rumrille; H. Holton
The theory and practice of fingering the violoncello
by
John Gunn (approximately 1765 – approximately 1824)
Wiener Pianoforte-Schule. IIte Abtheilung
by
Friedrich Starke (1774–1835)
A new and complete preceptor for the German flute
A new and complete directory to the art of playing on the patent dital-harp
by
Edward Light (approximately 1747 – approximately 1832)
Saggio teorico-pratico-musicale
by
Vincenzo Colla (b.1784)
Massachusetts collection of martial musick
by
Alvan Robinson (1802–1865)
A treatise on the violin
by
John Paine
Beyträge zur praktischen Akustik und zur Lehre vom Instrumentbau
by
Ernst Florens Friedrich Chladni (1756–1827)
Instructions for the piano forte
by
Johann Baptist Cramer (1771–1858)
Preceptive lessons for the flute
by
Charles Nicholson (1795–1837)
A treatise on the angelica, or, Musical glasses without water
by
Daniel Menzies; dedicated to Clementina Stewart (d. 1828)
Traité général sur l’art de jouer de la harpe
by
Xavier Désargus (approximately 1768 – 1832)
Vollständiges, theoretisch-praktisches auf Grundsätze der Akustik, Tonkunst und Mathematik
by
Gustav Adolph Wettengel
Cours complet pour l’enseignement du forté piano
by
Hélène Montgeroult (1764–1836)
Méthode de cornet où bugle à trois pistons
by
V. Caussinus (1806–1900)
Méthode de cor-alto et cor-basse
by
Louis Frannçois Dauprat (1781–1868)
Preceptor for the grand harmonicon, or musical glasses
by
Francis Hopkinson Smith
The instrumental director
by
Ezekiel Goodale (1780–1828)
L’art d’accorder soi-même son piano
by
Claude Montal (1800–1865)
Méthode pour servir à l’enseignement de la nouvelle flûte
by
Victor Coche (1806–1881)
Méthode pour servir à l’enseignement de la nouvelle flûte
by
Victor Coche (1806–1881)
The American preceptor for the piano forte
by
Maximilian Hall (1790–1867)
Violinschule
by
Louis Spohr (1784–1859); translated by John Bishop (1817–1890)
A theoretical & practical essay on the Boehm flute
by
John Clinton (1810–1864)
L’étude de la nouvelle flûte
by
Louis Dorus (pseudonym of Vincent Joseph van Steenkiste, 1812–1896)
A complete system for the violin
by
Jarvis F. Hanks; Jacob Augustus Otto (1760?–1829/30)
A complete instruction book for the clarinet
by
Thomas Lindsay Willman (d. 1840)
Manuel général de musique militaire
by
Jean-Georges Kastner (1810–1867)
Essai sur le doigté du violoncelle et sur le conduite de l’archet
by
Jean Louis Duport (1749–1819); translated by John Bishop
New and improved edition of the piano-forte primer
by
John Freckleton Burrowes (1787–1852)
Winner’s improved method for the violin
by
Septimus Winner (1827–1902)
A history of the guitar
by
James Ballard
Nouvelle méthode de la mécanique progressive du jeu de violon
by
Bartolomeo Campagnoli (1751–1827); translated by John Bishop
Methodischer Leitfaden für Violinlehrer
by
Carl Hering (1819–1889)
Ueber Rudolph Kreutzer’s Etüden
by
Carl Hering (1819–1889)
An illustrated history of the flute
by
Alfred G. Badger
Das Büchlein von der Geige
by
Robert Brug, active 19th century
Melodica; or, The art of playing the pianoforte made easy
by
Adolph Baumbach (1830?–1880)
Burrowes’ piano-forte primer
by
John Freckleton Burrowes (1787–1852); William Cumming Peters (1805–1866)
Elements of thorough bass and harmony
by
Lucien H. Southard (1827–1881)
A system for beginners in the art of playing upon the piano-forte
by
William Mason (1829–1908)
Die Ästhetik des Klavierspiels
by
Adolf Kullak (1823–1862); Hans Bischoff (1852–1889)
Traité de l’expression musicale
by
Mathis Lussy (1828–1910)
Palmer’s piano primer
by
Horatio Richmond Palmer (1834–1907)
Führer durch den Violin-Unterricht
by
Albert Tottmann (1837–1917)
Beyer’s Preliminary school for the pianoforte
by
Ferdinand Beyer (1803–1863); Carl Czerny (1791–1857)
Katechismus des Violinspiels
by
Carl Schroeder (1848–1935)
Katechismus des Violoncellspiels
by
Carl Schroeder (1848–1935)