Musica instrumentalis deudsch
by
Martin Agricola (c.1486–1556)
Musurgia seu praxis musicae
by
Othmar Luscinius (c.1478/80–1537)
Syntagma musicum
by
Michael Praetorius (1571–1621)
Musick’s monument
by
Thomas Mace (d.1709?)
A new musical grammar, and dictionary: or, a general introduction to the whole art of musick
by
William Tans’ur (1699?–1783)
Anleitung zu der musikalischen Gelahrtheit
by
Jakob Adlung (1699–1762)
Art du facteur d’orgues
by
François Bedos de Celles, OSB, 1706–1779
A treatise on the theory and practice of music
by
Joseph Gehot (1756–1820)
A new and complete system of music: or, general instructions for the piano forte, organ, pedal harp & c.
by
Joseph Davis (active 1811–1850)
Instructions for the piano forte
by
Johann Baptist Cramer (1771–1858)
Commentatio de musicali instrumento reformato
by
Hans Haiden (1536–1613)
Anleitung zu der musikalischen Gelahrtheit
by
Jakob Adlung (1699–1762)
Musica instrumentalis deudsch
by
Martin Agricola (c.1486–1556)
Musurgia seu praxis musicae
by
Othmar Luscinius (c.1478/80–1537)
La sambuca lincea overo dell’istromento musico perfetto, lib[ro] III
by
Fabio Colonna (1567–1650)
The modern musick-master: or, the universal musician
by
Peter Prelleur (1705?–1741)
Rules for playing in a true taste on the violin, German flute, violoncello and harpsicord
by
Francesco Geminiani (1687–1762)
The art of playing on the violin
by
Francesco Geminiani (1687–1762)
Maître de clavecin pour l’accompagnement
by
Michel Corrette (1707–1795)
The Muses delight
by
John Sadler (1720–1789)
A new musical grammar, and dictionary: or, a general introduction to the whole art of musick
by
William Tans’ur (1699?–1783)
Principj di musica teorico-pratici
by
Vincenzo Panerai
Metodo pel clavicembalo
by
Francesco Pollini (1762–1846)
Rime e prose del Sig[nor] marchese Scipione Maffei
by
Scipione Maffei, marchese (1675–1755)
Cours complet pour l’enseignement du forté piano
by
Hélène Montgeroult (1764–1836)
Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende
by
Daniel Gottlob Türk (1750–1813)
A new and complete system of music: or, general instructions for the piano forte, organ, pedal harp & c.
by
Joseph Davis (active 1811–1850)
Wiener Pianoforte-Schule. IIte Abtheilung
by
Friedrich Starke (1774–1835)
Instructions for the piano forte
by
Johann Baptist Cramer (1771–1858)
L’art d’accorder soi-même son piano
by
Claude Montal (1800–1865)
The American preceptor for the piano forte
by
Maximilian Hall (1790–1867)
New and improved edition of the piano-forte primer
by
John Freckleton Burrowes (1787–1852)
Melodica; or, The art of playing the pianoforte made easy
by
Adolph Baumbach (1830?–1880)
Burrowes’ piano-forte primer
by
John Freckleton Burrowes (1787–1852); William Cumming Peters (1805–1866)
A system for beginners in the art of playing upon the piano-forte
by
William Mason (1829–1908)
Die Ästhetik des Klavierspiels
by
Adolf Kullak (1823–1862); Hans Bischoff (1852–1889)
Traité de l’expression musicale
by
Mathis Lussy (1828–1910)
Palmer’s piano primer
by
Horatio Richmond Palmer (1834–1907)
Beyer’s Preliminary school for the pianoforte
by
Ferdinand Beyer (1803–1863); Carl Czerny (1791–1857)