A plaine and easie introduction to practicall musicke
by
Thomas Morley (1557–1603?)
The division violist; or, An introduction to the playing upon a ground
by
Christopher Simpson (d. 1669)
A brief introduction to the skill of musick
by
John Playford (1623–1686?)
Elementale mathematicum. VI, Musica
by
Johann Heinrich Alsted (1588–1638)
Musick’s monument
by
Thomas Mace (d.1709?)
Principles of practical musick
by
Christopher Simpson (d. 1669)
A treatise of musick, speculative, practical and historical
by
Alexander Malcolm (1685–1763)
Instructions upon the hautboy
by
Peter Prelleur (1705?–1741)
The modern musick-master: or, the universal musician
by
Peter Prelleur (1705?–1741)
The art of playing on the violin
by
Peter Prelleur (1705?–1741)
A treatise of the natural grounds, and principles of harmony
by
William Holder (1616–1698); Gottfried Keller (d. 1704)
The compleat tutor for the flute
by
John Simpson (1709/10–1749)
Rules for playing in a true taste on the violin, German flute, violoncello and harpsicord
by
Francesco Geminiani (1687–1762)
The art of playing on the violin
by
Francesco Geminiani (1687–1762)
The Muses delight
by
John Sadler (1720–1789)
A new musical grammar, and dictionary: or, a general introduction to the whole art of musick
by
William Tans’ur (1699?–1783)
The Compleat tutor for the violin
The compleat tutor for the violoncello
by
Robert Crome
An introduction to the art of playing on the violin
by
Stephen Philpot
An accurate method to attain the art of playing ye violin
by
Carlo Tessarini da Rimini (approximately 1690 – approximately 1766)
Principles of practical musick
by
Christopher Simpson (d. 1669)
New instructions for the French-horn
New instructions for the German flute
by
Joseph Tacet, active 1770
An essay upon tune
by
John Maxwell (1726–1806); Francis Kelly Maxwell
Compleat instructions for the guitar
A treatise on the theory and practice of music
by
Joseph Gehot (1756–1820)
Cahusac’s pocket companion for the German flute
The instrumental assistant
by
Samuel Holyoke (1762–1820)
A new and complete preceptor for the clarinet
by
George E. Blake (1775–1871)
The theory and practice of the violin
by
J. Jousse (1760–1837)
A complete preceptor for the German flute
by
George E. Blake (1775–1871)
A new and complete system of music: or, general instructions for the piano forte, organ, pedal harp & c.
by
Joseph Davis (active 1811–1850)
A new and complete preceptor for the fife
The drummer’s instructor, or, Martial musician
by
J.L. Rumrille; H. Holton
The theory and practice of fingering the violoncello
by
John Gunn (approximately 1765 – approximately 1824)
A new and complete preceptor for the German flute
A new and complete directory to the art of playing on the patent dital-harp
by
Edward Light (approximately 1747 – approximately 1832)
Massachusetts collection of martial musick
by
Alvan Robinson (1802–1865)
A treatise on the violin
by
John Paine
Instructions for the piano forte
by
Johann Baptist Cramer (1771–1858)
Preceptive lessons for the flute
by
Charles Nicholson (1795–1837)
A treatise on the angelica, or, Musical glasses without water
by
Daniel Menzies; dedicated to Clementina Stewart (d. 1828)
Preceptor for the grand harmonicon, or musical glasses
by
Francis Hopkinson Smith
The instrumental director
by
Ezekiel Goodale (1780–1828)
The American preceptor for the piano forte
by
Maximilian Hall (1790–1867)
A theoretical & practical essay on the Boehm flute
by
John Clinton (1810–1864)
A complete system for the violin
by
Jarvis F. Hanks; Jacob Augustus Otto (1760?–1829/30)
A complete instruction book for the clarinet
by
Thomas Lindsay Willman (d. 1840)
New and improved edition of the piano-forte primer
by
John Freckleton Burrowes (1787–1852)
Winner’s improved method for the violin
by
Septimus Winner (1827–1902)
A history of the guitar
by
James Ballard
An illustrated history of the flute
by
Alfred G. Badger
Melodica; or, The art of playing the pianoforte made easy
by
Adolph Baumbach (1830?–1880)
Burrowes’ piano-forte primer
by
John Freckleton Burrowes (1787–1852); William Cumming Peters (1805–1866)
Elements of thorough bass and harmony
by
Lucien H. Southard (1827–1881)
A system for beginners in the art of playing upon the piano-forte
by
William Mason (1829–1908)
Palmer’s piano primer
by
Horatio Richmond Palmer (1834–1907)
Beyer’s Preliminary school for the pianoforte
by
Ferdinand Beyer (1803–1863); Carl Czerny (1791–1857)