De cymbalis veterum libri tres
by
Friedrich Adolph Lampe (1683–1729)
Principles of practical musick
by
Christopher Simpson (d. 1669)
Rime e prose del Sig[nor] marchese Scipione Maffei
by
Scipione Maffei, marchese (1675–1755)
A treatise of musick, speculative, practical and historical
by
Alexander Malcolm (1685–1763)
Gabinetto armonico
by
Filippo Buonanni (1638–1725)
Gabinetto armonico
by
Filippo Buonanni (1638–1725)
Principes de la flûte traversière
by
Jacques Hotteterre (1673–1763)
Historisch-theoretisch und practische Untersuchung des Instruments der Lauten
by
Ernst Gottlieb Baron (1696–1760)
Instructions upon the hautboy
by
Peter Prelleur (1705?–1741)
The modern musick-master: or, the universal musician
by
Peter Prelleur (1705?–1741)
The art of playing on the violin
by
Peter Prelleur (1705?–1741)
A treatise of the natural grounds, and principles of harmony
by
William Holder (1616–1698); Gottfried Keller (d. 1704)
Der vollkommene Capellmeister
by
Johann Mattheson (1681–1764)
Defense de la basse de viole contre les entréprises du violon et les prétentions du violoncel
by
Hubert Le Blanc (active 18th century)
Dissertation historique sur la vielle
by
Antoine Terrasson
Neu-eröffneter theoretisch-und pracktischer Music-Saal
by
Joseph Friedrich Bernhard Caspar Majer (1689–1768)
De tribus generibus instrumentorum musicae veterum organicae dissertatio
by
Francesco Bianchini (1662–1729)
The compleat tutor for the flute
by
John Simpson (1709/10–1749)
Rules for playing in a true taste on the violin, German flute, violoncello and harpsicord
by
Francesco Geminiani (1687–1762)
The art of playing on the violin
by
Francesco Geminiani (1687–1762)
Maître de clavecin pour l’accompagnement
by
Michel Corrette (1707–1795)
The Muses delight
by
John Sadler (1720–1789)
A new musical grammar, and dictionary: or, a general introduction to the whole art of musick
by
William Tans’ur (1699?–1783)
Versuch einer gründlichen Violinschule
by
Leopold Mozart (1719–1787)
Anleitung zu der musikalischen Gelahrtheit
by
Jakob Adlung (1699–1762)
The Compleat tutor for the violin
The compleat tutor for the violoncello
by
Robert Crome
A letter from the late Signor Tartini to Signora Maddalena Lombardini (now Signora Sirmen)
by
Giuseppe Tartini (1692–1770)
Guitarra española, y vandola en dos maneras de guitarra, castellana, y cathalana de cinco ordenes
by
Joan Carles Amat (1572–1642)
Grondig onderwys in het behandelen der viool
by
Leopold Mozart (1719–1787)
An introduction to the art of playing on the violin
by
Stephen Philpot
An accurate method to attain the art of playing ye violin
by
Carlo Tessarini da Rimini (approximately 1690 – approximately 1766)
Gründliche Violinschule
by
Leopold Mozart (1719–1787)
Lecciones de clave y principios de harmonía [Lessons on the keyboard and principles of harmony]
by
Benito Bails (1730/31–1797); dedicated to Mariana de Silva Bazán y Arcos Meneses de Sarmiento (1739–1784).
Principles of practical musick
by
Christopher Simpson (d. 1669)
New instructions for the French-horn
Art du facteur d’orgues
by
François Bedos de Celles, OSB, 1706–1779
Versuch über die wahre Art das Clavier zu spielen
by
Carl Philipp Emanuel Bach (1714–1788)
Versuch einer Anweisung die Flöte traversiere zu spielen
by
Johann Joachim Quantz (1697–1773)
Essai sur la musique ancienne et moderne
by
Jean-Benjamin de Laborde (1734–1794)
New instructions for the German flute
by
Joseph Tacet, active 1770
An essay upon tune
by
John Maxwell (1726–1806); Francis Kelly Maxwell
Traités sur la musique
by
Jean-Jacques Rousseau (1712–1778)
Méthode raisonnée pour apprendre à jouer du violon
by
Leopold Mozart (1719–1787); Valentin Roeser (approximately 1735 – approximately 1782)
Compleat instructions for the guitar
A treatise on the theory and practice of music
by
Joseph Gehot (1756–1820)
Nova arte de viola
by
Manoel da Paixão Ribeiro
Principj di musica teorico-pratici
by
Vincenzo Panerai
Leopold Mozarts Hochfürstl. Salzburgischen Vice-Capellmeisters gründliche Violinschule
by
Leopold Mozart (1719–1787)
Cahusac’s pocket companion for the German flute
Versuch einer Anleitung zur heroisch-musikalischen Trompeter- und Pauker-kunst
by
Johann Ernst Altenburg (1734–1801)
Abhandlung von der Tastenharmonika
by
Franz Konrad Bartl (1750–1813)
Traité d’harmonie
by
Charles Gauzargues (1723–1801)